Amores perros is a 2000 neorealist[citation needed] Mexican film, directed by Alejandro González Iñárritu. Amores Perros is the first movie in Iñárritu's trilogy of death, and was followed by 21 Grams and Babel. It is a triptych; an anthology film, sometimes referred to as the "Mexican Pulp Fiction," containing three distinct stories which are connected by a car accident in Mexico City. Each of the three tales is also a reflection on the cruelty of humans toward animals and each other, showing how they may live dark or even hideous lives. Amores Perros was nominated for the Academy Award for Best Foreign Language Film in 2000 and won the Ariel Award for Best Picture from the Mexican Academy of Film. The film Amores Perros gives a clear representation of the division between classes in Mexican society, as we are shown characters from under, working and middle classes. But the film's theme is loyalty, as symbolized by the dog, "man's best friend". Dogs are important to the main characters in each of the three stories, and in each story various forms of human loyalty or disloyalty are shown; disloyalty to a brother by trying to seduce the brother's girl-friend, disloyalty to a wife by keeping a mistress with subsequent disloyalty to the mistress when she is injured and loses her beauty, loss of loyalty to youthful idealism and rediscovered loyalty to a daughter as a hit-man falls from and then attempts to regain grace.
The film was released under its Spanish title in the English-speaking world, although its title was sometimes translated as Love's a Bitch in marketing. In a 2001 interview on National Public Radio, director Iñárritu pointed out that an American English idiom, Love's a Bitch is not a satisfactory translation of the title[citation needed] (see below). The soundtrack included songs by well-known Latin American rock bands, such as Café Tacuba, Control Machete and Bersuit Vergarabat.
The first segment stars Gael García Bernal and Vanessa Bauche as the title characters. Susana is Octavio's sister-in-law; however, Octavio is in love with her and doesn't like the way his brother, Ramiro, treats her. Octavio tries to persuade her to run away with him to get from under Ramiro's abuse. Needing to make money so that he and Susana can escape and start a life of their own, Octavio becomes involved in the business of dog fighting. Octavio makes enough money to run away with Susana, but Susana takes the money and leaves with her husband. Octavio continues his dog fighting business until a rival owner shoots his dog Cofi. Octavio stabs the rival owner and finds himself in a car chase with his lifelong friend, Jorge, and the wounded dog. A collision follows; Jorge dies and Octavio is badly injured.
The next segment stars Álvaro Guerrero and Goya Toledo. Daniel is a successful magazine publisher who leaves his family to live with the Spanish supermodel Valeria played by Goya Toledo. Valeria's leg is severely broken in the accident with Octavio's car and she may be unable to continue working as a model. Valeria is using a wheelchair while she recuperates in the apartment she shares with Daniel. Her dog Richie disappears under the floorboards one day and stays there for days. The missing dog triggers serious tension for the couple, causing numerous fights which leads to doubts about their relationship on both sides. Valeria re-injures her leg trying to help the dog, resulting in severe internal bleeding which leads to gangrene. Her doctor is forced to amputate the leg, removing any chance she might have had at returning to her modeling career. Once her leg is gone, she realizes that her life is most likely ruined since her sense of purpose, modeling, has been taken from her.
The final segment stars Emilio Echevarría and Lourdes Echevarría. The story concerns a former private school teacher who had become involved in guerrilla movements that landed him in prison for 20 years. He appears in the film as a bedraggled vagrant pushing a junk cart accompanied by several mongrel dogs for whom he cares. Though he appears to live in perpetual squalor in an abandoned warehouse, he is in fact a professional hitman, El Chivo (The Goat). At times throughout his story, Chivo tries to make contact with his daughter, Maru, whom he abandoned when she was a two-year-old child when he began his guerrilla involvement. We learn in the film that instead of telling her the truth about the abandonment and the prison sentence, her mother told her that her father had died.
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The film was released under its Spanish title in the English-speaking world, although its title was sometimes translated as Love's a Bitch in marketing. In a 2001 interview on National Public Radio, director Iñárritu pointed out that an American English idiom, Love's a Bitch is not a satisfactory translation of the title[citation needed] (see below). The soundtrack included songs by well-known Latin American rock bands, such as Café Tacuba, Control Machete and Bersuit Vergarabat.
The first segment stars Gael García Bernal and Vanessa Bauche as the title characters. Susana is Octavio's sister-in-law; however, Octavio is in love with her and doesn't like the way his brother, Ramiro, treats her. Octavio tries to persuade her to run away with him to get from under Ramiro's abuse. Needing to make money so that he and Susana can escape and start a life of their own, Octavio becomes involved in the business of dog fighting. Octavio makes enough money to run away with Susana, but Susana takes the money and leaves with her husband. Octavio continues his dog fighting business until a rival owner shoots his dog Cofi. Octavio stabs the rival owner and finds himself in a car chase with his lifelong friend, Jorge, and the wounded dog. A collision follows; Jorge dies and Octavio is badly injured.
The next segment stars Álvaro Guerrero and Goya Toledo. Daniel is a successful magazine publisher who leaves his family to live with the Spanish supermodel Valeria played by Goya Toledo. Valeria's leg is severely broken in the accident with Octavio's car and she may be unable to continue working as a model. Valeria is using a wheelchair while she recuperates in the apartment she shares with Daniel. Her dog Richie disappears under the floorboards one day and stays there for days. The missing dog triggers serious tension for the couple, causing numerous fights which leads to doubts about their relationship on both sides. Valeria re-injures her leg trying to help the dog, resulting in severe internal bleeding which leads to gangrene. Her doctor is forced to amputate the leg, removing any chance she might have had at returning to her modeling career. Once her leg is gone, she realizes that her life is most likely ruined since her sense of purpose, modeling, has been taken from her.
The final segment stars Emilio Echevarría and Lourdes Echevarría. The story concerns a former private school teacher who had become involved in guerrilla movements that landed him in prison for 20 years. He appears in the film as a bedraggled vagrant pushing a junk cart accompanied by several mongrel dogs for whom he cares. Though he appears to live in perpetual squalor in an abandoned warehouse, he is in fact a professional hitman, El Chivo (The Goat). At times throughout his story, Chivo tries to make contact with his daughter, Maru, whom he abandoned when she was a two-year-old child when he began his guerrilla involvement. We learn in the film that instead of telling her the truth about the abandonment and the prison sentence, her mother told her that her father had died.
Source URL: https://nagasakti-android.blogspot.com/2011/10/amores-perros-is-2000.html
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