Indie rock is a sub-genre of alternative rock that originated in the United Kingdom and the United States in the 1980s. Indie rock is extremely diverse, with sub-genres that include lo-fi, post-rock, math rock, indie pop, dream pop, noise rock, space rock, sadcore, riot grrrl and emo, among others. Originally used to describe record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock. As grunge and punk revival bands in the US, and then Britpop bands in the UK, broke into the mainstream in the 1990s, it came to be used to identify those acts that retained an outsider and underground perspective. In the 2000s, as a result of changes in the music industry and the growing importance of the Internet, a number of indie rock acts began to enjoy commercial success, leading to questions about its meaningfulness as a term.
Indie rock, derived from "independent", describes the small and relatively low budget labels on which it is released and the do-it-yourself attitude of the bands and artists involved. Although distribution deals are often struck with major corporate companies these labels and the bands they host have attempted to retain their autonomy, leaving them free to explore sounds, emotions and subjects of limited appeal to large, mainstream audiences. The influences and styles of the artists has been extremely diverse, including punk, psychedelia, rock and country. The terms alternative rock and indie rock were used interchangeably in the 1980s, but after many alternative bands followed Nirvana into the mainstream in the early 1990s it began to be used to distinguish those bands, working in a variety of styles, that did not pursue or achieve commercial success.
Allmusic identifies indie rock as including a number of styles that are: "too sensitive and melancholy; too soft and delicate; too dreamy and hypnotic; too personal and intimately revealing in its lyrics; too low-fidelity and low-budget in its production; too angular in its melodies and riffs; too raw, skronky and abrasive, wrapped in too many sheets of Sonic Youth/Dinosaur Jr./Pixies/Jesus & Mary Chain-style guitar noise; too oblique and fractured in its song structures; too influenced by experimental or otherwise unpopular musical styles." Linked by an ethos more than a musical approach, the indie rock movement encompassed a wide range of styles, from hard-edged, grunge-influenced bands like The Cranberries and Superchunk, through do-it-yourself experimental bands like Pavement, to punk-folk singers such as Ani DiFranco. Many countries have developed an extensive local indie scene, flourishing with bands with enough popularity to survive inside the respective country, but virtually unknown outside them.
Indie rock has been identified as a reaction against the "macho" culture that developed in alternative rock in the aftermath of Nirvana's success. It has been noted that indie rock has a relatively high proportion of female artists compared with preceding rock genres, a tendency exemplified by the development of the feminist-informed Riot Grrrl music of acts like Bikini Kill, Bratmobile, 7 Year Bitch, Team Dresch and Huggy Bear.
In the mid-1980s, the term "indie" began to be used to describe the music produced on post-punk labels rather than the labels themselves. The indie rock scene in the US was prefigured by the college rock that dominated college radio playlists which included key bands like R.E.M. from the US and The Smiths from the UK. These bands rejected the dominant synthpop of the early 1980s and helped inspire guitar-based jangle pop; Other important bands in the genre included the dB's and Let's Active from the US and The Housemartins and The La's from the UK. In the United States, the term was particularly associated with the abrasive, distortion-heavy sounds of Hüsker Dü, Sonic Youth, Minutemen, Meat Puppets, Dinosaur Jr., Pixies and The Replacements. The most abrasive and discordant outgrowth of punk was noise rock, which emphasised loud distorted electric guitars bands and powerful drums and was pioneered by bands including Sonic Youth, Swans, Big Black and Butthole Surfers. A number of prominent indie rock record labels were founded during the 1980s. These include Washington, DC's Dischord Records in 1980, Seattle's Sub Pop Records in 1986 and New York City's Matador Records and Durham, North Carolina's Merge Records in 1989. Chicago's Touch and Go Records was founded as a fanzine in 1979 and began to release records during the 1980s.
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Indie rock, derived from "independent", describes the small and relatively low budget labels on which it is released and the do-it-yourself attitude of the bands and artists involved. Although distribution deals are often struck with major corporate companies these labels and the bands they host have attempted to retain their autonomy, leaving them free to explore sounds, emotions and subjects of limited appeal to large, mainstream audiences. The influences and styles of the artists has been extremely diverse, including punk, psychedelia, rock and country. The terms alternative rock and indie rock were used interchangeably in the 1980s, but after many alternative bands followed Nirvana into the mainstream in the early 1990s it began to be used to distinguish those bands, working in a variety of styles, that did not pursue or achieve commercial success.
Allmusic identifies indie rock as including a number of styles that are: "too sensitive and melancholy; too soft and delicate; too dreamy and hypnotic; too personal and intimately revealing in its lyrics; too low-fidelity and low-budget in its production; too angular in its melodies and riffs; too raw, skronky and abrasive, wrapped in too many sheets of Sonic Youth/Dinosaur Jr./Pixies/Jesus & Mary Chain-style guitar noise; too oblique and fractured in its song structures; too influenced by experimental or otherwise unpopular musical styles." Linked by an ethos more than a musical approach, the indie rock movement encompassed a wide range of styles, from hard-edged, grunge-influenced bands like The Cranberries and Superchunk, through do-it-yourself experimental bands like Pavement, to punk-folk singers such as Ani DiFranco. Many countries have developed an extensive local indie scene, flourishing with bands with enough popularity to survive inside the respective country, but virtually unknown outside them.
Indie rock has been identified as a reaction against the "macho" culture that developed in alternative rock in the aftermath of Nirvana's success. It has been noted that indie rock has a relatively high proportion of female artists compared with preceding rock genres, a tendency exemplified by the development of the feminist-informed Riot Grrrl music of acts like Bikini Kill, Bratmobile, 7 Year Bitch, Team Dresch and Huggy Bear.
In the mid-1980s, the term "indie" began to be used to describe the music produced on post-punk labels rather than the labels themselves. The indie rock scene in the US was prefigured by the college rock that dominated college radio playlists which included key bands like R.E.M. from the US and The Smiths from the UK. These bands rejected the dominant synthpop of the early 1980s and helped inspire guitar-based jangle pop; Other important bands in the genre included the dB's and Let's Active from the US and The Housemartins and The La's from the UK. In the United States, the term was particularly associated with the abrasive, distortion-heavy sounds of Hüsker Dü, Sonic Youth, Minutemen, Meat Puppets, Dinosaur Jr., Pixies and The Replacements. The most abrasive and discordant outgrowth of punk was noise rock, which emphasised loud distorted electric guitars bands and powerful drums and was pioneered by bands including Sonic Youth, Swans, Big Black and Butthole Surfers. A number of prominent indie rock record labels were founded during the 1980s. These include Washington, DC's Dischord Records in 1980, Seattle's Sub Pop Records in 1986 and New York City's Matador Records and Durham, North Carolina's Merge Records in 1989. Chicago's Touch and Go Records was founded as a fanzine in 1979 and began to release records during the 1980s.
Source URL: https://nagasakti-android.blogspot.com/2011/10/indie-rock-is-sub-genre-of-alternative.html
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